Sue Connor Workshop


  • Watercolor: Not to Worry   -Supply List

  • Paper: Arches or any good quality paper you wish. Hot press papers
  • texture well and I will use both hot and cold. This is a fun time to try
  • different papers, so bring some and play.

  • Brushes: Bring your favorites, I use :

  • 1 inch flat brush

  • 2 inch flat brush

  • One or two rounds size 10 thru 16

  • An old tooth brush

  • Paints: I use mostly Winsor Newton or Daniel Smith Colors. The colors
  • are only suggestions and what I have on my palette. Please DO NOT
  • buy any new colors unless they look interesting. The underlined
  • colors are for those purchasing their first watercolors, you only
  • need four.

  • Winsor Yellow
  • Antwerp Blue
  • New Gamboge
  • Cobalt Blue
  • Indian Yellow
  • French Ultramarine Blue
  • Quinacridone Gold
  • Cerulean Blue
  • Manganese Blue
  • Vermillion Hue
  • Winsor Red
  • Burnt Sienna
  • Permanent Rose
  • Cad. Orange
  • Alizaron Crimson
  • Quinacridone Violet

  • Extra Paints: We may use a few acrylics, but don’t
  • worry about buying, we will have enough to share.

  • Stuff: This the other stuff you will need:

  • Sketchbook

  • a water proof board to work on, I use a 24 x 32
  • acrylic board large enough for a full sheet

  • Paper Towels masking tape scissors

  • Large water container sponge Elmer’s Glue

  • Spray bottle anything that will create texture, stamps, leaves….

  • Oriental papers Resources to paint from….photos, whatever


  • Please bring any other supplies you normally use.
  • Most important supply…..come prepared to have fun and try some
  • new worry free ideas. If you have any question PLEASE call me. Sue 352-422-5481 or e-mail
    sueconnor@tampabay.rr.com
  • Website:  www.sueconnor.com

  • About the artist:
  • Sue’s current body of work is entitled “Paintings to Touch”
    and focuses on creating textures on the papers surface with
    several different media. One of my goals in painting is to create
    a surface you not only enjoy visually, but also want to touch.
    When I show my work I have pieces of paintings available for
    clients to feel. Some texture is created with pure paint and
    some with collage, the fun is not being able to tell which is
    paint and that which is not. All of my work is original only, I
    have purposefully chosen not to print .

  • The inspiration for my work comes from many sources, the
    sun drenched grapefruit of Scottsdale, soap bubbles in my
    kitchen sink, photos from Mars and intimate looks at nature. In
    my textured series of florals, I only paint two kinds of flowers,
    Artesiam and Latisiferious, both words I made up. In all
    paintings I am more concerned with movement and feel than in
    the reality of the subject.

  • My paintings begin with sketches for overall design and do not
    include any detail. I then begin texturing the paper with an
    abstract under painting in acrylic. The next layer is textured
    with gauzes, threads, ropes, yarns, oriental papers and plastic
    bags through which I paint very wet watercolor. Each element
    applied for texture will leave it’s own distinct mark, cotton will
    texture much differently than silk. The texture left is also
    determined by the weather, warm, cold, dry, humid and the
    paint. All texturing material is removed after the paint has dried
    and the design is then further developed using watercolor,
    acrylic and collage materials I have created. I enjoy playing the
    different aqueous materials against each other for multiple
    layers of transparency.

  • My “Worry Free Painting” workshops , which I present all over
    the country, focus on having fun with paint and paper and
    enjoying the process. “Not to Worry” is one of my favorite
    quotes to my students. “Worry always shows in the work of
    art, one should paint with joy and authority and leave the
    worrying for other things.”